In-Class Work: Thursday 10/30

We'll begin today's class with a brief check in: I'll ask each person in the class to talk a little bit about the work they've done so far for our "Unpacking a Quotation" paper. This will give me a chance to check your progress, but it will also give you the opportunity to hear from your classmates and learn from their choices and considerations. I'll give you a little bit of time at the beginning of class to prepare some notes before you have to talk.

Instructions

1. Read the quotation you've chosen.

2. Briefly explain why you chose this quotation:

• What question or theme or argument are you concerned with?
• What about the language of this quotation makes it interesting or useful to you?
• Try to give us some insight into a particular word or phrase that you find important

Feel free to ask questions of your classmates, offer your own insights about what they're working on, or make connections between your work and theirs.

Oh, and if you're feeling stressed out at mid-semester, here's a cat video to help you through:

In-Class Work: Tuesday, 10/28

During today's class, we'll engage in some supervised prewriting. The point of today's class is to generate ideas and gather materials that will help you write your essay -- not to start writing the essay itself! Today's class is all about choosing quotations and taking notes.

"Unpacking a Quotation": Prewriting

You don't have to do these steps in order. Begin where you think it makes the most sense to begin. Just be sure to cover all of these steps before you're done.

1. Decide what you want to say about the story -- what angle your interpretation will follow. You may base your work on our previous questions or pursue an interpretation of your own, one we haven't discussed in class. If you don't know what you want to say yet, go to step three.

2. Locate all of the passages in the story that relate to your interpretation. You'll choose your main quotation from this list, but you might need to use one of the other passages from this list to help explain your main quotation or develop your ideas.

3. Choose a passage to focus on. This should be a key passage in your understanding of the story -- a moment when something changes or when something becomes clear to you. This should be a passage that you find exciting, a passage that makes you feel something. Be sure to choose a passage that is long enough to support your discussion, but short enough that it won't overwhelm you -- about 2-4 sentences, depending on their length and complexity.

4. Begin "unpacking" your main quotation. Look for the words and phrases that seem most interesting, intriguing, or poignant. Use freewriting or make some informal notes to explore what these words and phrases mean; consider the denotative meaning and the connotative meaning. (You may find it useful to use the Oxford English Dictionary.) Explore how these words and phrases make you feel, and why.

The choices you make and the notes you generate today will help you to write your paper, Keep in mind, though, that none of this is "set in stone." There is still time to change your mind as you work or to do more prewriting.

"Unpacking a Quotation" Assignment

During today's class, we read and analyzed a sample of student writing that will be our model for the next assignment. (If you were absent on Thursday, please see me for a copy of the sample essay.) Our objective was to discover how this piece of writing was put together, and what kinds of things this student did in the piece, so that we could understand the model and establish a set of tools for our own essays. Here's what we came up with:

Unpacking a Quotation

1. The essay should begin with a quotation. The quotation needs to be a bit long, so you have enough to talk about. Choose a passage that you think is very important -- a key moment in your interpretation of the story.

2. Give the reader some context for the quotation. Don't forget to mention the author and title of the work. But more importantly: What is happening in the story when this passage occurs? Why is this passage important? What does it tell us? What changes at this moment, or what is revealed? Notice that the student who wrote our model essay connects her passage to the narrative arc of the story (what has happened, what will happen) and also to her own interpretation of the story (the governess is cray cray.)

3. Focus on one or more phrases in your quotation and explain them in detail. Notice how much the student who wrote our model essay has to say about the phrase "some one." Use other words and phrases from the passage to help with your explanation -- in our model essay, the student also quotes "the face" and "present to" in order to develop her ideas about the phrase "some one."

4. Ask yourself questions about the words and phrases the author chose to use in this passage. Look for contradictions and problems ("some one" vs. "the face"). Look for phrases that seem to agree with each other or support each other ("he" and "the face"). Think about what each of these words and phrases mean, and what they contribute to the meaning and the emotional tone of the passage.

5. Quote and paraphrase selectively from other parts of the story in order to help you unpack your main quotation.

6. Return to the same words and phrases several times in your essay to get more out of them, or approach them from different perspectives. Notice that the student who wrote our model essay introduces the phrase "kind light" at the end of her third paragraph, but then returns to it and gives it a slightly different interpretation at the beginning of her fourth paragraph.

Here's the basic assignment: Choose a significant quotation from Charlotte Perkins Gilman's short story "The Yellow Wallpaper" and unpack that quotation, using it to explain your interpretation of the story. Your argument may be based on the questions we previously addressed in class, or it may be based on a question or topic of your own that you wish to explore. Length: about 500 words, or two pages typed and double-spaced. Due date: please post the essay to your class blog before next Tuesday's class (11/4)

In-Class Work: Tuesday, 10/21

We'll spend today's class working on a blog post related to Charlotte Perkins Gilman's "The Yellow Wallpaper." This is a low-stakes, exploratory assignment, but it relates to our next major assignment.

Instructions: Choose one of the following questions, draft a short response (two or more paragraphs) in Google Docs, and post it to your blog. Your response should make significant (but selective) use of quotation and paraphrase, following up on our in-class work with quotation and Edgar Allan Poe.

Questions:
1.  Is this a ghost story?
2. Explain the relationship between the narrator and her husband, John. How does this relationship affect the narrator?
3. What do you find striking about the narrator's descriptions of the wallpaper? Isolate and discuss a key element of her descriptions.

If you finish early, spend some time reading and commenting what your classmates have posted on their blogs.

The Yellow Wallpaper

For our next assignment, we're going to be reading Charlotte Perkins Gilman's spooky short story, "The Yellow Wallpaper." You can find a link to scans of the original 1892 New England Magazine publication of the story here. Please read the story before our next class meeting (Th 10/16); we'll discuss the story in class, but you need to be familiar with it already to participate in the discussion. We'll use our quotation and paraphrase skills to write about the story for our next essay.

In case you're curious, the scans of Gilman's story come from an exhibition called "The Literature of Prescription," available at the U.S. National Library of Medicine website.

In-Class Work: Tuesday 10/7

During today's class, we'll be working on quotation and parapharase. With Halloween fast approaching, I thought it would be fun to work with the opening passage from Edgar Allan Poe's gloomy tale "The Fall of the House of Usher" for our in-class exercises. Here are the first sentences of Poe's story (and you can find the complete text here):

DURING the whole of a dull, dark, and soundless day in the autumn of the year, when the clouds hung oppressively low in the heavens, I had been passing alone, on horseback, through a singularly dreary tract of country; and at length found myself, as the shades of the evening drew on, within view of the melancholy House of Usher. I know not how it was; but, with the first glimpse of the building, a sense of insufferable gloom pervaded my spirit. I say insufferable; for the feeling was unrelieved by any of that half-pleasurable, because poetic, sentiment, with which the mind usually receives even the sternest natural images of the desolate or terrible. I looked upon the scene before me—upon the mere house, and the simple landscape features of the domain—upon the bleak walls—upon the vacant eye-like windows—upon a few rank sedges—and upon a few white trunks of decayed trees—with an utter depression of soul which I can compare to no earthly sensation more properly than to the after-dream of the reveler upon opium—the bitter lapse into every-day life—the hideous dropping off of the veil. There was an iciness, a sinking, a sickening of the heart—an unredeemed dreariness of thought which no goading of the imagination could torture into aught of the sublime. What was it—I paused to think—what was it that so unnerved me in the contemplation of the House of Usher? It was a mystery all insoluble; nor could I grapple with the shadowy fancies that crowded upon me as I pondered. 

Spooky, eh? And a bit long-winded. If you were going to quote Poe in an essay, you'd definitely want to be selective about which parts of this passage you used and how much you used. But you might also find Poe's language heavy, old-fashioned, and difficult to read -- and in that case, you might want to paraphrase. We'll discuss Poe's language and go over quotation and paraphrase during this afternoon's class.

EXERCISE

For this exercise, I'll ask you to use these lines from Poe's story to practice quotation and paraphrase. Let's try to have fun with it.

1. Choose a few lines from the above passage as the material for your quotations.

2. Write a sentence or a few sentences integrating a phrase from Poe into a sentence of your own. The easiest way to do this is to make a comment about Poe's story. For example, if I were writing about "The Raven," I could say: At the beginning of Edgar Allan Poe's long poem "The Raven," the narrator tells us that he has stayed up late reading "a quaint and curious volume of forgotten lore." It must be a pretty boring old book, because reading it leaves him "weak and weary" and "nearly napping."

3. Introduce a quotation and then explain what the quotation means. For example: In "The Raven," Edgar Allan Poe's narrator tells us that the events of the poem happened "in the bleak December / And each separate dying ember wrought its ghost upon the floor." The second line refers to the fact that he's sitting by a lit fireplace, and it's just a fancy, spooky way of describing the effect of the firelight as it shines off the floor.

4. Paraphrase a short passage from Poe. For example: In "The Raven," Poe's narrator tells us that the events of the poem take place in the winter. At the beginning of the poem, he's sitting cozily by the fire, falling asleep over an old book.

5. Now here's a tough one: try to summarize the entire passage from "The Fall of the House of Usher" in five short sentences.

6. Now here's a really tough one: reduce your summary to two short sentences!

7. Share your work in groups of three or four, discussing each person's work and the differences between them. Try to help your classmates by giving constructive criticism about their work! 

8. Discuss these questions with your group: How do the changes in word choice and sentence structure change the meaning or tone or "feel" of the passage? What is lost or gained when you quote and paraphrase Poe?

9. Revise your work and post it to your class blog (due 10/16).

Edgar Allan Bro -->